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Old Sunday, November 12, 2006
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Lightbulb G.B.Shaw: PYGMALION

One literary critic has put :
Literature portrays almost every conceivable human action, thought, attitude, emotion, situation, or problem. In one way or another people are basic to the literary imagination, even in its most fanciful flights.
Pygmalion: The Myth
In Greek legend, a brash young sculptor named Pygmalion found the women of Cyprus so impossibly flawed that he resolved to carve a statue of his ideal woman, embodying every feminine grace and virtue. For months he labored with all his prodigious skill (and also with a strange compulsion), rounding here, smoothing there, until he had fashioned the most exquisite figure ever conceived by art. So exquisite indeed was his creation that Pygmalion fell passionately in love with the statue, and could be seen in his studio kissing its marble lips, fingering its marble hands, dressing and grooming the figure as if caring for a doll. But soon, and in spite of the work's incomparable loveliness, Pygmalion was desperately unhappy, for the lifeless statue could not respond to his desires, the cold stone could not return the warmth of his love. He had set out to shape his perfect woman, but had succeeded only in creating his own frustration and despair.
Pygmalion prayed to the goddess of love, Venus took pity on Pygmalion and brought his statue to life, and he and "Galatea," as he named her, blushed, embraced, and married with the goddess's blessing
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