CHATTHIAN DI VAR is a Punjabi ballad describing the battle between Mahan Singh, father of Maharaja Ranjit Singh, and Ghulam Muhammad Chattha, a Muslim chieftain of the Chattha clan of the Jatts. The poet is some Pir Muhammad, whose name appears in some verses of the poem. The Var was first published in Persian script by Qazi Fazal Haq, a teacher at Government College, Lahore. According to his statement, Pir Muhammad, the poet, was a resident of Gujrat district, and he composed this ballad in the early years of the British occupation of the Punjab. No evidence is available in the text to support this statement. Nevertheless, the details of the events provided, and the casual way in which the poet has introduced different personalities as if everybody knew about them, indicate that he was an eyewitness to the happenings he has described. The events of the strife are spread over a period of a few years but no dates are given. Ghulam Muhammad became the chief of the Chatthas, after the death of his father, Pir Muhammad (not to be confused with the author of the poem), probably in 1785. His adversary, Mahan Singh, died in 1792. As such the events narrated in the Var took place between 1785 and 1792. The Sikh sardars had occupied large portions of the Punjab by 1780, but some Muslim chiefs, who had created independent states for themselves in the wake of the downfall of Mughal authority, were holding out in certain areas. The Chatthas had their stronghold in the Wazirabad and Hafizabad parganahs where they were masters of 78 villages. They formed their own state under their leader, Nur Muhammad, grandfather of Ghulam Muhammad, and had sufficiently strengthened their position by the time the latter became the chief. They had common boundary with Sardar Mahan Singh, and were always a source of trouble to the Sikh chieftain. Quite frequently they raided his territory and looted and plundered the villages. Mahan Singh was forced to retaliate. The Chatthas offered stubborn resistance to him from the fort of Manchar, which they were forced to evacuate after a long siege and considerable loss of life. It is a lengthy Var, with 91 pa up's (stanzas) available and published. But it remains incomplete, and nobody knows how many stanzas the poem originally contained. After the 91st stanza, one verse from 92nd stanza has been given in the text. The first verse is in praise of the Creator. Thereafter two full stanzas describe events from the lives of mythological and historical figures prophets, kings, great men " from Semitic traditions. The poet comes to the subject in the fourth stanza. His description of events is sketchy though he does not lack poetic fancy and imagination. He is at his best when depicting a battle scene. Unlike most other Muslim poets he has no prejudice against words from Hindu or Sikh sources, nor is he excessively given to pedantic vocabulary of PersoArabic origin. He belonged to Gujrat district and used the dialect of that region, which is a mixture of central Punjabi and Lahndi.
GOT IN ENGLISH NOW TRANSLATE IT :p

Mara! mil gai waran, see 2nd book "واراں دی ریت" by Saeed Bhutta

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A man is not finished when he is defeated, he is finished when he quits!!!

Sanjh wichar - pg158

kindly share link , am unable to find

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A man is not finished when he is defeated, he is finished when he quits!!!

See page 158

yes got it Thankyou

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A man is not finished when he is defeated, he is finished when he quits!!!

modern punjabi poetry kahan sy prepare kren...no book

tashreeh nai aani us ki question ho ga .
search for munir niazi in above link wo hy us mn

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A man is not finished when he is defeated, he is finished when he quits!!!

Paper to boht e asaan agy dono